Pittura Italiana oggi
at La Triennale, Milan, October 25, 2023 – February 02, 2024

"Pittura Italiana Oggi is a large group exhibition dedicated to contemporary Italian painting through the work of 120 of the most interesting Italian artists of different generations, born between 1960 and 2000. The exhibition aims to restore the richness and complexity of Italian painting. Taking up the suggestions of the historic gallery of mural painting of Triennale Milano, special commissions of site-specific mural works are planned, which will bring the medium of painting to measure itself with the theme of space and architecture."

22° Premio Cairo
at Museo della Permanente, Milan, 2023

Bored Bones
at The Address, May 27 – September 16, 2023

"The Address is pleased to present Bored Bones, Giuliana Rosso's first solo exhibition at the gallery, curated by Treti Galaxie.
Weightless figures float beyond the thick door of a vault. In a path of lairs and tunnels, we are invited to traverse phase transitions, and water that does not wet and fire that does not heat. Comet-like eyebrows, dreams that become reality, realities that awaken in a dream.
Proposing techniques and materials dear to Rosso's research, such as charcoal on spolvero paper, papier-mâché and oil on canvas, Bored Bones is composed of new environmental installations, sculptures and paintings poised between reality and imagination, consistency and allusion, gravity and lightness.
The exhibition is structured as a montage of several possible solo shows by the artist, connected by recurring elements and submerged plots, episodes of a web series suggested and condensed within the gallery rooms.
Populated by subjects portrayed in situations of quiet uncertainty and transience, Bored Bones is configured as a place open to individual discovery, an invitation to recover, activate and nurture the sense of adventure and wonder that endearingly cradled the runs on our bright May afternoons."

Curated by Treti Galaxie

Noble Experiment,
at Massimo, Milan, June 06 – July 21, 2022

"Noble Experiment is a solo exhibition by Giuliana Rosso which transforms MASSIMO into a dungeon infested by the characters that inhabit the artist's works, characterized by an imaginary acid tint and atmosphere tinged with dreamlike adolescent restlessness..."

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Club GAMeC Prize 2022
Time is Never Time At All
Bergamo, June 12 – June 19, 2022

"Luna Azzurra is a notable addition to the GAMeC collection, acquired by the Club and generously donated. This captivating artwork, made of chalk and charcoal on paper, commands attention with its fluorescent hues, radiating vibrancy against the light gray backdrop of the plaster wall.
Rosso's distinctive style is evident in Luna Azzurra, where bold black strokes delineate solitary figures..."
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Break-In. Temporal Displacement
at The Address, April 09 – June 01, 2022

"During the opening in its new venues, The Address Gallery is delighted to present Break-in. Temporal displacement, offering a generational glimpse into a fragment of the Italian artistic scene of the nineties.
With the involvement of Francesco De Bernardi, Andrea Bocca, Marina Cavadini, Beatrice Celli, Francesco Cima, Lucia Cristiani, Davide Dicorato, Nicola Ghirardelli, Lorenzo Lunghi"

Espressioni. La proposizione
at Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, July 09, 2021 – March 28, 2022

"The exhibition Espressioni. La proposizione features the works of over fifty artists from different historical periods and parts of the world, united by their interest in particularly expressive or even expressionist forms of art.
The artists' works range from exasperated individualism to manifestations of romantic melancholy..."
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But I doubt, I tremble, I see (shaking edges) and the wild thorn tree
at Pina, Vien, May 06 – June 05, 2021

"Creating parallels between puberty, history and wilderness - all of dynamic character - the project proposes to look at transformative, chaotic, conflictual and emotional existence as a moment of (re)discovery of the world. Teenage becomes a point of access to frictional states; a way to consider their generative empathic potential for establishing new ways to be in the world at the end of History, as understood by western modernity..."
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He Heard With His Dead Ear
at Almanac Inn, Turin, December 03 – December 20, 2021

"A kid, sitting on a fence, gives his back to a giant wave that is about to sweep him away. Opposite, a child wrapped in a blanket, sitting on a carpet with prints of planes, lets the controller of a video game slip out of his hands. Between the two, another child, on hands and knees, the fin of a shark on his back. Behind us, a girl lying on a pillow, on her face a beauty mask that looks like a pancake..."
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Expanded Painting
at Galleria Massimo Minini, Brescia, November 09, 2019 – January 11, 2020

"The news is that, after having been allegedly apart for years, painting and sculpture are at last starting to work together. Painting, which has long occupied the flat surfaces of museums, Kunsthalle, Foundations, and galleries, now wishes to expand its horizons and invade the exhibition space. The canvas can no longer contain the force of a painting that wants to break free, escape from its predefined boundaries and transcend the limitations of its two-dimensional nature..."
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Soltanto ora, perdute, mi diventano vere
at Spazio Veda, Florence, June 29, 2019 – September 10, 2019

"Treti Galaxie, hosted by VEDA, is proud to present the solo show of Giuliana Rosso: Soltanto ora, perdute, mi diventano vere.
Through a painting style made with fragile materials such as spolvero paper, chalks, charcoal and papier-mâché, Giuliana Rosso creates a composite installation that celebrates the fragility of the individual through a contemporary reinterpretation of universal themes related to art history and popular culture.
In the show, a painted and flipped over vault takes the place of the gallery floor, collapsed during the 1966 flood of the Arno. The intervention looks like the image of an ideal frescoed ceiling reflected on the surface of the water that once flooded the space. The overturning also affects the subject of the painting, which concerns a particular interpretation of the Assumption."

Capriccio 2000
at Fondazione Sandretto Re Baudengo, Turin, April 04 – September 20, 2019

"In music, capriccio refers to a composition characterized by free forms in terms of rhythm and style. In painting, the term denotes architectural fantasies where buildings and archaeological ruins from different geographical and temporal origins coexist, creating fictitious yet plausible landscapes.
Drawing from these nuances, Capriccio 2000 explores the culture of electronic dance music..."
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Dripping in crocodile tears at Like a little disaster
at Polignano A Mare, February 02 – March 20, 2019

"Dripping in Crocodile Tears is a group exhibition curated by Roberta Mansueto, featuring works by Tania Fiaccadori, Valentina Furian, Rada Kozelj, Plasticity, Giuliana Rosso and Giulio Scalisi.
Inspired by various biological theories, Dripping in Crocodile Tears narrates a story of biological and cultural evolution, beginning with the analysis of tears as a unique characteristic of Homo sapiens. Humans are the only animals that express emotions through weeping, a biological mystery that remains unresolved. This phenomenon fuels a liquid imagery that comes to life in our bodies of water, flows into other organisms, and permeates dream matter and the collective unconscious, shaping the actions of modern humans."

Straperetana
Pereto, L'Aquila, July 06 – August 11, 2019

"Straperetana - La Luna Vicina is a collaborative project spearheaded by Paola Capata alongside Delfo Durante and curated by Saverio Verini. In this endeavor, eighteen artists, including two collectives, converge to breathe life into various corners of Pereto, a village nestled in the province of L'Aquila. Their creative interventions infuse alleys, squares, abandoned houses and historic buildings, permeating the entire village with a sense of artistic vibrancy..."
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A Creepy and Holy Jingle 
at La Casaforte, Naples, December 08, 2018 – January 08, 2019

"Imaginary places offer an escape from the mundane, inviting viewers into a realm where myths and legends from Neapolitan folk tradition intertwine with the haunting beauty of Nordic painting.
Giuliana Rosso's solo exhibition, A Creepy and Holy Jingle, takes viewers on a narrative journey through dreamlike landscapes and imaginative worlds, where esoteric figures like the Janara and the Munaciello emerge from the depths of popular culture..."
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Pittura Italiana oggi
at La Triennale, Milan, October 25, 2023 – February 02, 2024